An Open-Challenge to SF Lit Fandom

The “Killer Bees” Letter – redux! (It’s more urgent and pertinent than ever…)

Science Fiction conquered the world. By far the most popular and lucrative sectors in cinema and gaming – for example – emerged like mighty titans from the tiny-despised larvae of sci fi pulps and novels bound by cheap mucilage. Oh, there is much to enjoy in these offspring SF Media. But only rarely do they convey the depth and breadth of character, or plot, or detailed world-building, or thoughtfulness that can be conveyed by the best literary SF.

And so a question for SF-Lit fans and readers. Will love of Poul Anderson, Ursula LeGuin, Alice Sheldon and Robert Sheckley fade away, when we’re gone? Or might we – the generation who mainlined on Lovecraft and McCaffrey and Silverberg – perhaps find a way to pass that love on to new generations?

That was the aim of a project that once seemed almost to gain traction in the SF fandom community. And maybe – just maybe – it’s time to try again, before the novel-and-story-reading generation shuffles off into obscurity, taking with us our love of black-squiggles-on-a-page.

Back in the 90s – along with fellow science fiction authors like the recently-late Greg Bear and Gregory Benford – I issued the “Killer Bees Letter” to the science fictional community asking that fan organizations start to act on their own charters, to “spread love of reading and science fiction to new generations.” We proposed that fan organizations might begin with the easiest and most efficient way to reach young readers.

No, I am not talking about standing outside a middle school in a trench coat, offering Heinlein or Andre Norton juveniles. (“The first one’s free!”) In fact the simpler (and far more legal) method – that was tried out in several places to great effect – is to start by ‘adopting’ just a few local teachers and librarians, those who are friendliest to science fiction, and helping them to accomplish what they already want to do!

In part, this could involve offering those SF-friendly educators one day passes to local science fiction conventions, enabling them to attend a special academic session (e.g. ‘teaching SF to young folks’) one morning… followed by half a dozen afternoon passes for their most-promising students and parents. Expensive? How, exactly? The marginal cost to the fan organization would be almost nil. In fact, the chance those kids will thereupon spread the word is worth trying!

The possible benefits – e.g. reversing the aging and decay of fandom – might be huge. And they were substantial… in the few places it was tried, back in the 90s. Alas, all-too few.

And so, here below is that original “Killer Bees Challenge” letter, as it was re-issued in 2003. Sadly, it is even more pertinent, today.

---

Using Science Fiction To Help Turn Kids on to Reading… And the Future!

© 2002 by David Brin

Consider the ages from twelve to fifteen, when a person’s sense of wonder can bloom or else wither, starved by ennui or seared by fashionable cynicism. Often it’s some small thing that can make a difference. An inspiring teacher or role model. A team effort or memorable adventure.

Sometimes even the right book or film can ignite a fire that lasts a lifetime.

For many of us, it was futuristic or speculative literature that helped cast our minds far beyond family, city, or oppressive peers… not to mention the limitations that others seemed bent on imposing, shackling our dreams. Whether in stories that spanned outer space, or adventures in cyberspace, or thoughtful ruminations about the mental life of dolphins or aliens, we discovered that the universe is larger than the local Mall. Both more dangerous and more filled with possibilities.

Once the sole province of nerdy young men, science fiction has become a central pert of our culture’s myth-making engine, now engaging girls, women, and adults of all ages and inclinations. Yet the breadth of SF and its ultimate importance can be difficult for a non-aficionado to grasp. After all, isn’t it all just spaceships, lasers and all that childish stuff?

Well, no it isn’t. As with any branch of human storytelling, science fiction has a spectrum of quality and depth, ranging from shallow Star Wars romps to the dark, serious explorations and world-shifting works of George Orwell, Aldous Huxley and Mary Shelley. A key element is fascination with change and how human beings respond when challenged by it. In other words, there is no genre more relevant to this rapidly transforming world we live in, where citizens are called upon to contemplate issues that would have boggled their grandparents.

Environmental degradation, the extinction and creation of new species, cloning, artificial intelligence, instant access to all archived knowledge and the looming prospect a generation – perhaps the very next one – that may have to wrestle with the implications of physical immortality.

Heady stuff! And you’d never imagine that any of it was under serious contemplation, if your idea of “sci-fi” came from movies! But these and a myriad other subjects are probed at the literary end of science fiction. In fact, some of the kids in today’s classrooms are wrestling with concepts at the very cutting edge — imbedded in tales they devour between colorful paper covers. Books that explore the edges of tolerance, like those of Octavia Butler and Alice Sheldon. Books that ponder biological destiny, penned by Greg Bear and Joan Slonczewski, or the physical sciences, by Robert Forward and Gregory Benford. Books designed by Julie Czerneda and Hal Clement to revolve around teaching themes. And those by Heinlein, Clarke and Kress and Bradbury, that instruct almost invisibly, because the authors were teachers at heart.

If high-end science fiction provokes wonder, thought and a sense of vigorous involvement with the world, can it be worth adding your arsenal of tricks and tools, ready to offer that hard-to-reach kid? Especially as an alternative to the violent fare in video games and the wretched pabulum that is on TV? What can be more relevant to bright teens, in their rapid-pulsed flux, than a literature that explores ideas and the possible consequences of change?

I can’t offer a tutorial on high-quality SF in this short space. So let’s do the next best thing – offer a short list of ways to help teachers, librarians and others bridge the gap between the simpleminded sci-fi images that are so popular in movies these days, and the real literary Science Fiction, where ideas flow and readers engage in truly exploratory adventures of the mind.

Using Web-based sites to create useful curriculum aids.

A new effort has begun, aimed at creating online resources for teachers wanting to bring good science fiction into their classrooms, as a way to excite topic-specific interest among students. Some use classic SF stories and novels to illustrate topics that are already in a teacher’s official study program. A teacher in Barstow, California created a good example, using my novel, The Postman, to elicit class discussions on issues in both literature and civics. Other teachers use stories to illustrate points in physics, chemistry, history, etc. When their materials – study guides and question sets – are distributed on the Web, they become a permanent help to teachers everywhere.

Here are just a few examples of sites for teaching science fiction.

Julie H. Czerneda’s Tales from the Wonder Zone helps teachers combine great stories with science curricula.

Teaching Science Fiction: Recommendations and Lesson Plans

Science Fiction Research Association

Using Science Fiction to Teach Science

Using Science Fiction in the Classroom

Creating new and better books for kids to read.

Consider this quandary. Science fiction images and adventures are more popular than ever, especially with young people. Yet, very little high quality science fiction is aimed straight for the vast market of adventure-minded teens. There is a market! Witness the success of Star Wars novelizations. Still, these factory-made series are missing something. Their exploits often follow the same hackneyed plot style. While the brightest teens soon graduate to reading more challenging books for grownups, many are discouraged by a scarcity of good, intelligent tales written just for them.

Some years back, I posted a list of Science Fiction Books for Young Adults.

Creating grass roots activism

Finally, there is the issue of what today’s science fiction fan community might do to help.

Fans are a special breed who maintain a belief that the future is a place that can be explored with brave adventures of the mind – adventures that may even help us avoid errors, the way George Orwell, Aldous Huxley and others gave warnings that helped divert us from dangerous paths.

The rest of this note is addressed to these aficionados of strong literary science fiction:

We’ve all heard about declining literacy in America. Sherry Gotleib tells that when she first opened the Change of Hobbit bookstore, in L.A., it thronged when the local junior high let out. Over time, these customers stayed loyal… but weren’t replaced. In the store’s final years, Sherry’s average customer was gray-flecked or balding, and the few teens who showed up focused on media or comics.

Polls show an aging of the SF readership. Science fiction themes are popular – in films, comix and games – but the genre’s literary heart faces demographic collapse. Worst of all, countless kids forget how to say the most beautiful word in any language – “Wow!”

That is where it all finally comes around. No altruism is more effective than the kind that begins at home.

Each of us lives near some school where bright kids now languish — bored, bullied, or unmotivated. Who among us can’t recall facing the same crisis once, in our own lives? For many, it was science fiction that helped us turn the corner. Science fiction welcomed us home.

As a community of science fiction fans and professionals, shouldn’t we make it our chief socially responsible activity to help expose another generation to a love of ‘the good stuff?’

For the last decade, ever since Greg Benford, Greg Bear and I first made this proposal, a number of SF oriented clubs and fan groups have focused their con-auctions, fund-raisers and charity drives toward raising helping SF literacy in their own communities. In many cases this meant “adopting” a local junior high school English teacher and/or librarian, finding out their needs and doing some of the following:

• Recruiting guest speakers to visit classes or school assemblies, giving inspirational talks about science, writing, or history… anything to fire enthusiasm and imagination at an age when these are precious, flickering things.
• Donating funds to buy SF books and sponsoring a reading club and/or writing contests, to encourage a love of SF and the creativity that helps produce more of it.
• Persuading bookstores to offer prizes and discounts for teens.
• Holding a special session at every local con, to which teachers and librarians are invited for free, to share ideas with fans and pros — then carefully using one-day passes to attract some of the brightest local teens+guardians to the con.

There is self-interest here. Authors who give talks often acquire new fans. Local conventions that sponsor a SF club may soon have new con-com members. If your charity auction sends $500 to the “Special Wish Fund,” you’ll get a thank-you note; but hand the same amount over to a stunned librarian and the photo will make your local paper!

Some committees, such as the Baltimore-based Worldcon, organized nationwide contests for SF-related stories, essays and artwork created by teens across North America, with awards and prizes to be presented at their convention.  Others – in the Northeast especially – have followed suit. But we’ve only just begun.

Teacher/librarian mini-conference

One thing local conventions can do: Most fan organizations have in their charters a major provision for “outreach and education.” Yet, this seldom gets priority. Here is a relatively painless approach, already tried with success at several conventions, offering a win-win situation for all. The Saturday morning SF-education mini-conference.

It starts by simply gathering all the routine “SF/youth/education” panels into a cohesive group, then making a real effort to invite area teachers and librarians to attend that part of the con for free. (With reasonable upgrades for those wanting to stay.) Some teachers can then be recruited to help adjust next year’s program to their needs. In a year or two, the mini-conference can be granting credential credit with momentum all its own. Moreover, it can be a money-maker for the convention, as attendees convert their free half-day memberships and tell their friends! Later, corporate sponsorships become a real possibility.

With teachers and librarians aboard, you can generate great projects that involve kids in creative ways, for example by running a science fiction reading/writing/art contest in area schools, involving several grade levels, culminating in a grand awards ceremony at the local con. (With reasonable con memberships available to the winners, their parents, friends….)

This kind of thing has worked already! At science fiction conventions held in Baltimore, in Chicago, in Philadelphia and Salt Lake City.

If nothing else, running a focused “SF & Education Mini-conference” sure beats scattering the usual youth-and education related panels all over the weekend. It seems worthwhile to focus some effort on the future, since that’s what SF is all about.

So there it is. A general outline of some efforts that are currently underway, to use the most American form of literature – Science Fiction – in the cause of helping kids learn. So far, it is only a rough outline, with some sincere efforts being made along the way. This letter is not so much a prescription as a call for people to think about possibilities… how the literature that is most about foresight and hope can somehow influence both young people and society at large to do the one thing that separates humans from all other creatures of Earth, Sky or Sea…

Think ahead….  With respect,

David Brin

The Animated Storyboard as an Art Form in its Own Right

A producer’s or director’s tool – or a new kind of art?

Note: this proposal was first broached by me over 20 years ago. And yes, the available technology has caught up at last, making this so obvious that even Hollywood mavens can see it. And – naturally – they are viewing it in exactly the wrong way.

I’ve long proposed a concept for small-scale cinematic storytelling – one that could become a valuable studio pre-production tool, but that might also grow into an exciting medium in its own right, liberating small, writer-led teams to create vivid dramas, whether as first drafts or as final works of popular art. 

When I first broached the concept, I called it full-length, animated storvboarding.   Now — for reasons that should seem obvious in 2023’s era of AI-rendered art and semi-realistic computer authorship — that name seems obsolete. Yet, I will continue using it in this revision. Because the logic remains almost exactly the same… as does the artistic and commercial opportunity.

 Re-examining the traditional screenplay

For more than a century, the initial element in cinema has been the screenplay, generally around 120 pages for a ninety-minute film. While offering detailed dialogue and some scene description, scripts generally remain sketchy about many other aspects. Moreover, screenplays (and their writers) are treated with little respect, viewed as the most disposable or replaceable components of an expensive process.

In coming years, the screenplay, as such, may become obsolete, both to sell an idea for filming and as a working production tool.  Instead, a small team consisting of the writer, a computer-animator with AI tools, a photographer, a musical specialist and some voice actors, might team up before hitting the studios with a pitch.  Using animatics and integration technologies that already exist, such a team might create a complete 90-minute (or more) cinematic story wherein animated characters act and speak, upon sets that are computer-merged or extrapolated from still-photos or video pans. 

While (generally) too crude to display to the public as-such, these animated storyboards would nevertheless be much closer to realization than a mere 120-page bundle of paper sheets. For example, they could include simple musical background with dramatic beats and sound effects at the right places, etc., interwoven with the voiced words that are synchronized with the animations.  These full-length drafts might be screened before live or online audiences, swiftly testing alternative plot-twists and endings. They could decisively bridge the gap between writer and finished product. 

2023 note: Of course with more modern tools, the ‘storyboard’ as a series of static panels is easily replaced by much smoother animations, AI-generated or assisted. All this means is that a small team can take a script even farther along the pre-production process that I describe here.

Naturally, producers would take to such storyboarding drafts, and view the process as a producer’s tool. Directors would see it as a useful director’s tool, even if they intend to make a standard film with real actors before cameras. 

Whatever those two professions believe, the main beneficiaries of such tools will be writers – originators of the core elements, ideas, dialogue, characters and dramatic tension — as they would rise 5 levels of execution closer to final product before relinquishing control.

If producers say “this looks promising, but we’ll want to make changes,” the creative team can say “We’ll be back on Monday with three new versions we can test before focus groups.” All of which can happen before any contracts are signed… leaving the creators in a strong position.

Now, of course crude or partial versions of this notion have been around a long time. Way back when I first posted this forecast, Amazon Storyteller would let you upload a story/script and produce a customizable storyboard. And there was Crazy Talk Animator.  ToonBom was another incomplete move in this direction. Alas, none of them became truly liberating, in the way I describe.

A true animated storyboard (AS) or or cinematic draft would flow smoothly. It would have music and use real actors’ voices behind stick-figure or rendered avatar characters.  The animation itself would not have to be lavish, just good enough to vividly portray the story+action. In fact, much of the movement can be computer interpolated between artist sketches, almost seamless to the eye.

Think of an animated script… with some scenes rendered more vividly to show off possible special effects.  This could then be shopped around to directors & studios, saying “let’s make a deal based on this, and not arm-waved descriptions or an easily trashed sheaf of paper pages.”

One sub-variety – even more economical than the version described here — is the narrated storyboard, as illustrated by the famous Chris Marker film “La Jetee” (later remade as “Twelve Monkeys”) and more recently in “The Life of a Dog” by John Harden.  (Both of them are in French, interestingly.) A fertile technique, it has been under-utilized by indie film-makers and could easily be transformed into the full-voiceover version I propose here.

Another cool aspect — the animated storyboard is a product in itself!  Time and again it has been shown that people can accept and identify with very crude and even cartoony representations, so long as the drama, pace, music, dialogue and voices are first rate.  Even talking and moving stick figures (or a little better) can draw empathy and tears from an audience. Such full, feature-length renderings of a story might draw an avid community of fans or followers online, if the sequence of words-action-emotions and music are well done.  And if that online following is all the story gets, at first? Well, fine, there are monetization methods… and there would soon be awards.

Moreover, if an Animated Storyboard feature does gain a cult following online? That might lead to interest from producers later on, giving the story a second chance.

Ideally, we’re envisioning a product that enables a writer and a few specialists, plus several voice actors, to interact under the leadership of a “director” knowledgeable in the program itself.  A team of half a dozen could make a 90 minute feature, crude, but with incredible swiftness and agility, sometimes achieving drama better than many products coming out of studios today.

If I am right about this, we’ll soon see.

And hear and feel.

The Animated Storyboard as an Art Form in its Own Right

I’ve long proposed a concept for small-scale cinematic storytelling – one that could become a valuable studio pre-production tool, but might also grow into a medium in its own right, liberating small, writer-led teams to create vivid dramas, whether as first drafts or as final works of popular art. The concept is full-length, animated storyboarding.

For more than a century, the initial element in cinema has been the screenplay, generally around 120 pages for a ninety minute film. While offering detailed dialogue and some scene description, scripts remain sketchy about many other aspects. Moreover, screenplays (and their writers) are treated with little respect – as the most disposable or replaceable components of an expensive process.

In coming years the screenplay, as such, may become obsolete, both to sell an idea for filming and as a working production tool. Instead, a small team consisting of the writer, a computer-animator, a photographic specialist, a musical specialist and some voice actors might team up before hitting the studios with a pitch. Using animatics and integration technologies that already exist, such a team might create a complete 90 minute cinematic story wherein animated characters act and speak upon sets that are computer-merged from still-photos or video pans.

While (generally) too crude to display to the public as-such, these animated storyboards would nevertheless be much closer to realization than a mere 120 page bundle of paper sheets. For example, they would include simple musical background, sound effects, etc. These full-length drafts might be screened before live or online audiences, swiftly testing alternative plot-twists and endings. They would decisively bridge the gap between writer and finished product. (I have ideas how it could be implemented, in unexpected ways.)

Here’s one nifty aspect: producers would take to such storyboarding, and view it as a producer’s tool. Directors would see it as a useful director’s tool. But the main beneficiaries would be writers – originators of the core elements, ideas, dialogue, characters and dramatic tension — as they would rise 5 levels of execution closer to final product before relinquishing control.

If producers say “this looks promising, but we’ll want to make changes,” the creative team can say “We’ll be back on Monday with three new versions we can test before focus groups.” All of which can happen before any contracts are signed… leaving the creators in a strong position.

Now, crude or partial versions of this notion have been around. Amazon Storyteller let you upload a story/script and produce a customizable storyboard. And there’s ToonBoom and Crazy Talk Animator, as well as several others listed below. But none of them has been truly liberating.

A true animated Storyboard (AS) would flow smoothly, have music, and use real actors’ voices behind stick-figure (or rendered avatar) characters. The animation itself would not have to be lavish, just good enough to vividly portray the story and action. In fact, much of the movement can be computer interpolated between artist sketches, almost seamless to the eye.

Think of an animated script… with some scenes rendered more vividly to show off possible special effects. This could then be shopped around to directors & studios, saying “let’s make a deal based on this, and not arm-waved descriptions.”

One sub-variety – even more economical than the version described here — is the narrated storyboard, as illustrated by the famous Chris Marker film “La Jetee” (later remade as “Twelve Monkeys”) and more recently as “The Life of a Dog” by John Harden. (Both of them are in French, interestingly. A fertile technique, it has been under-utilized by indie film-makers and could easily be transformed into the full-voiceover version I propose here.)

Another cool aspect — the animated storyboard is a product in itself! Time and again it has been shown that people can accept and identify with very crude and even cartoonish representations, so long as the drama, pace, music, dialogue and voices are first rate. Even talking and moving stick figures (or a little better) can draw empathy and tears from an audience. Such full, feature-length renderings of a story might draw a following online, if the sequence of words-action-emotions and music are well done. And if that online following is all the story gets, at first? Well, fine, there are monetization methods… and there would soon be awards.

Moreover, if an AS feature gains a cult following online, that might lead to interest from producers, later on, giving the story a second chance.

Ideally, we’re envisioning a product that enables a writer and a few specialists, plus several voice actors, to interact under the leadership of a “director” knowledgeable in the program itself. A team of half a dozen could make a 90 minute feature, crude, but with incredible swiftness and agility, sometimes achieving drama better than many products coming out of studios today.

Now some news. While bits and pieces of this concept have been around for years, I can report on one company whose package appears to bring many of them together, at a level where small teams might actually accomplish something of value. The ToonBoom package is intended for professional storyboard artists. It’s more about making studio artists more productive (which is where the money is), but spec writers and their partners might soon use this – or similar – products to create an art form as influential as (but far better than) anything shown on any YouTube channel.

We’ll see.

And hear and feel.

======

* David Brin is a scientist, tech speaker/consultant, and author. His new novel about our survival in the near future is Existence.   A film by Kevin Costner was based on The Postman. His 16 novels, including NY Times Bestsellers and Hugo Award winners, have been translated into more than twenty languages.   Earth, foreshadowed global warming, cyberwarfare and the world wide web. David appears frequently on shows such as Nova and The Universe and Life After People, speaking about science and future trends. His non-fiction book — The Transparent Society: Will Technology Make Us Choose Between Freedom and Privacy? — won the Freedom of Speech Award of the American Library Association.   (Website: http://www.davidbrin.com/ )

====

NOTES:

Animation software examples:

ToonBoom https://www.toonboom.com/

Crazy Talk Animator Demo: http://www.youtube.com/watch?v=5_WLdBCns-s

CrazyTalk8: https://crazytalk.reallusion.com/

Anime Studio Pro: http://store.smithmicro.com/productDetails.aspx?pid=19282

Amazon Storyteller (no longer functioning): http://studios.amazon.com/storyteller

Studiobinder Templates:  https://www.studiobinder.com/blog/top-10-storyboard-software-of-2016-free-storyboard-templates/

Twinery: https://twinery.org/

TyranoBuilder: Visual Novel Studio  http://tyranobuilder.com/

Nevigo Game Design:  https://www.nevigo.com/en/articydraft/overview/

Fifteen authors (and a few more)

I was recently asked on social media to name fifteen authors, from whom I would automatically purchase books… without question. Now, I took this to mean authors who are still living (and publishing) — which eliminates a great many old favorites from science fiction, such as Robert Sheckley, Roger Zelazny, Octavia Butler, Alice (Tiptree) Sheldon, Arthur C. Clarke, Ray Bradbury, Poul Anderson, Isaac Asimov, Terry Pratchett, Douglas Adams and innumerable others.

Of course, fifteen is such a small (and arbitrary) number! But that was the challenge, so I’ll stick to it. This list focuses largely on science fiction, yet I’ve included a few nonfiction authors as well.

In no particular order, here’s my list. I’ve annotated one particular book written by each author as just one example of their many fine works:

1. Vernor Vinge (Rainbows End)
2. Kevin Kelly (The Inevitable)
3. Kim Stanley Robinson (2312)
4. Michael Chabon (Moonglow)
5. Nancy Kress (Beggars in Spain)
6. C.J. Cherryh (Downbelow Station)
7. Tim Powers (The Drawing of the Dark)
8. Robert J. Sawyer (Quantum Night)
9. China Mieville (The City and the City)
10. Greg Egan (Diaspora)
11. Gregory Benford (Timescape)
12. Greg Bear (Eon)
13. Rebecca Solnit (A Paradise Built in Hell)
14. Peter Diamandis (Abundance)
15. Liu Cixin (The Three Body Problem)

For a longer list, I would most certainly add Joe Haldeman, Larry Niven, Nalo Hopkinson, Jack McDevitt, Alastair Reynolds, Charles Stross, Stephen Baxter, Neal Stephenson, Ursula LeGuin, Connie Willis, Peter Hamilton, John Scalzi… and the great Robert Silverberg to name just a few.

How can I stop? So many of the books are like old friends… and so many of the authors are old friends.

You can see my more extensive list of Recommended Science Fiction and Fantasy Tales on my blog, and a list of recommended SF titles on my website.

Brief looks at Recent Science Fiction

So many new books from so many fine authors! Some brief reviews of recent science fiction novels, ranging from star-spanning space opera to haunting urban fantasy, to mind-blowing short story collections.

 Corsair, by James Cambias (author of the excellent A Darkling Sea) offers a sci fi thriller – a near-future tale of space pirates, computer hackers and terrorists. Nuclear fusion has, at last, become a reality on Earth – powered by helium extracted by robots from the lunar regolith. (Controversial if this will ever be economically feasible… but I’m willing to go along for the ride.) The tricky part is returning the shipments to Earth – the helium payloads an attractive target for pirates. The amoral genius cyberhacker, David Schwartz (aka Captain Black), seeks to redirect the payload to international waters where real pirates can claim it. The U.S. Orbital Command backs away from battle, but Air Force officer Elizabeth Santiago (with whom Schwartz had a brief affair back at MIT) goes rogue, determined to foil his efforts. The plot twists as Schwartz is double-crossed after he teams up with hard-core terrorists.

Time Salvager, by Wesley Chu is a dystopian far future action tale. Humanity has largely abandoned a toxic Earth and established colonies in the outer solar system. But society has fallen through a Great Decay; brutal wars and plague have left civilization teetering on the edge. Their only hope lies with time traveling Chronmen — who undertake dangerous raids into the past to recover precious artifacts and power sources. To avoid timeline anomalies, they arrive just before known disaster strikes. Hard drinking Chronman James Griffin-Mars sets off on a final mission, and breaks the Time Laws, bringing back a female scientist from Earth’s past. They become fugitives, escaping the reach of the law and powerful megacorporations. A fun read, Time Salvager, the first of a trilogy been optioned by Paramount, with Michael Bay to direct.

 The Long Way to a Small, Angry Planet, by newcomer Becky Chambers has received a lot of press. Humans have abandoned their inhospitable homeworld, and joined the Galactic Commons — but they find themselves at the bottom of the totem pole in this fragile alliance among sentient aliens. Seeking to escape her family’s shame, Rosemary Harper joins the interspecies crew of the Wayfarer, a tunneling starship on a mission to punch wormholes through hyperspace to establish contact with a distant planet. On this long space-road trip, the story focuses on the backstories and relationships of the crew, their solidarity tested by the stress of a long voyage through galactic zones on the verge of war.

 Dark Orbit, by Carolyn Ives Gilman In this universe, interstellar travel is possible, not through FTL, but by lightbeam; individuals are disassembled and reassembled upon arrival. Those who are willing to leave friends and family behind to leap across time and space are called Wasters; in contrast, the Planters stay rooted in their own timeframe. Exoethologist Sara Callicot is recruited to travel by questship to a newly discovered habitable planet, Iris, with its unusual gravity fluctuations rooted in elevated concentrations of dark matter. The crew makes a mess of First Contact with the crystalline planet’s strange, blind sentient beings. A mix of hard science, philosophy and mysticism, Dark Orbit delves into human consciousness and human nature.

The Big Sheep, by Robert Kroese, is a noir/science fiction/mystery/humorous offering, drawing upon flavors of Arthur Conan Doyle, Raymond Chandler (The Big Sleep) and Philip K. Dick (Do Androids Dream of Electric Sheep?). The novel is set in 2039 in a divided, post-Collapse Los Angeles, with a Disincorporated Zone left to the rule of gangs and warlords. But there are aircars! When a genetically altered, oversized sheep goes missing, PI “Phenomenological Inquisitor” Erasmus Keane and his Watson-like assistant Blake Fowler set out to investigate. Things get complicated when they take on a second case, helping celebrity-actress Priya Mistry unravel just who is threatening to kill her. But the next time they meet her, she has doesn’t recognize them. A fun, witty read.

Infomocracy, by Malka Older This political thriller envisions a near future where nations are dead, borders are open, and war is a thing of the past. A new world order in the form of micro-democracy has taken hold. Global elections focus around “centenals,” groupings of 100,000 people — who select governments led by corporate giants (PhilipMorris, Sony-Mitsubishi) or ideological parties (Policy1st, Heritage, Liberty). The coveted prize for the regime winning the most centenals worldwide — the Supermajority. Information rules — for every aspect of life (and the elections) is moderated by the all-powerful search engine known as “The Information.” A major election is underway, when sabotage shuts down Information and global communication. Mistrust grows as our main characters gather intel on propaganda, misinformation and fraud in a system that fails to live up to its idealistic promise. See an extensive review by Annalee Newitz.

Lock In, a fast-paced, near-future crime thriller story from John Scalzi. A global pandemic has left millions of people (known as Hadens) paralyzed, in a perpetual state of “lock in.” While their body remains bedridden, neural network implants in their brains enable them to maneuver through the outside world using personal robotic units (Threeps) — or by temporarily inhabiting the bodies of other rare humans known as Integrators. The story begins, of course, with a dead body… found in the presence of an Integrator, whose professional code of ethics forbids him from revealing if his body was at work for a Haden client when the murder occurred. Our main character is a Haden, a novice FBI agent operating through his Threep, determined to unravel layers of conspiracy and intrigue, even as he becomes a target.

== Short Story Collections ==

 Central Station, by Lavie Tidhar, is set amid the rundown neighborhoods of Tel Aviv, aswarm with masses of poor refugees, cyborgs, robotniks begging for spare parts… as well as data vampires, robot priests and digital entities known as ‘Others’. Rising above the center of the teeming city is the towering Central Station spaceport, a link to the interplanetary colonies where much of humanity has gone. Brain nodes connect nearly everyone to the incessant chatter of man, machine and AI in the vast memory stream — the ‘Conversation’. And certain genetically-modified children possess near magical powers to read minds and tap into the torrent of data streams. Tidhar presents a richly constructed future in this beautifully crafted world.

Ted Chiang has released his latest short story collection, Stories of Your Life and Others, speculations about the nature of man, machine and alien. In “Tower of Babylon”, one of my favorites and winner of the 1990 Nebula Award, Sumerian workers labor to reach for the skies and shatter through the vault of the heavens… only to find the unexpected. His novella, “Story of Your Life” won the 1999 Nebula for novella; it explores initial attempts to communicate with alien minds who perceive reality and the flow of time very differently than humans. “Understand” offers a dark take on a “Flowers for Algernon” – style intelligence boost, as two hyper-enhanced minds work toward contrary purposes.

My own latest collection, Insistence of Vision, offers tales of possible tomorrows: “If you like your SF hopeful, with a side order of forward-thinking ‘what-ifery,’ this is the collection for you.” — Tangent Online.

== Fantasy and more ==

 Uprooted, by Naomi Novik won this year’s Nebula Award and Locus Award for best novel. Every ten years the local sorcerer (named Dragon) selects a young woman to be his assistant; afterward she is returned, unharmed, but they girls never again fit into the life of their valley village at the edge of a dark and sinister Wood. Novik offers an updated take on this familiar fairy tale premise when the plain and clumsy, but forceful Agnieszka is chosen. For she turns out to have powers even greater than the wizard in fighting back the dark powers that have long threatened her homeland.

 Shadowshaper, by Daniel José Older, is a coming of age offering, nominated for the Kirkus Prize for Young Readers’ Literature, a tale of magical realism set in the ethnic neighborhoods of modern Brooklyn. When summer begins, teenaged Sierra Santiago is painting an oversized image of a dragon on an abandoned junklot building. Mysteriously, neighboring murals begin to fade and their shapes shift – while several of the neighborhood old timers disappear. Sierra begins to discover her own power, as she sense layers of shadowshaping magic operating below the surface. She uncovers secrets haunting her family’s past that refuse to stay hidden.

And finally…. Back to the Future! Omni Reboot offers a listing of time travel books for you, with entries by Connie Willis, Stephen King, Joe Haldeman, Alfred Bester, Iain Banks and Kurt Vonnegut.

Science Fiction Authors on Twitter

A sampling of Science Fiction – or Speculative Fiction — authors on Twitter, many with interesting things to say about books, the craft of writing, SF news, as well as science and the future.

In alphabetic order (compiled by Anonymous), the brief descriptions and selected works don’t begin to do justice to these fantastic authors. Yes, the list veers toward the SF end of SFF, with emphasis on writers of novels, rather than short stories. Apologies for the those who have been inadvertently left off. And many well-known authors, Connie Willis or Kim Stanley Robinson, don’t have accounts (probably because they’re busy writing)…

Daniel Abraham, Best-selling author and producer, half of the James S.A. Corey team (The Expanse, Leviathan Wakes) @AbrahamHanover

John Joseph Adams, editor of Science Fiction anthologies (Best American Science Fiction and Fantasy, Brave New Worlds) @JohnJosephAdams

Saladin Ahmed, Locus Award winning author (Throne of the Crescent Moon, Engraved on the Eye) @saladinahmed

Buzz Aldrin, Astronaut, Lunar Module pilot and moonwalker, as well as a SF author, collaborating with John Barnes (Encounter with Tiber, The Return) @TheRealBuzz

Charlie Jane Anders, Founding editor of io9, short story writer and award-winning Science Fiction author (All the Birds in the Sky) @charliejane

Lou Anders, Science Fiction author and Hugo Award winning editor (Frostborn, Nightborn) @LouAnders

Kevin J. Anderson, Best-selling Science Fiction author (The Sisterhood of Dune, Hellhole)   @TheKJA

Lou Aronica, Science Fiction author, editor and publisher (Blue, Differential Equations) @laronica

Catherine Asaro, Nebula Award winning Science Fiction and Fantasy author (Saga of the Skolian Empire, The Quantum Rose)   @Catherine_Asaro

Madeline Ashby, Science Fiction author and consultant (Company Town, iD) @MadelineAshby

Neal Asher, English Science Fiction author (The Departure, Zero Point)  @nealasher

Margaret E. Atwood, Booker Prize, Arthur C. Clarke Award winning author and poet (The Handmaid’s Tale, Oryx and Crake) @MargaretAtwood

Paolo Bacigalupi, Locus, Hugo and Nebula Award wining Science Fiction author (The Windup Girl, The Water Knife)  @paolobacigalupi

John Barnes, Science Fiction and YA author  (Tales of the Madman Underground, Meeting Infinity) @JohnBarnesSF

Steven Barnes, Science Fiction author and frequent collaborator with Niven and Pournelle (Beowulf’s Children, Lion’s Blood) @StevenBarnes1

Elizabeth Bear, Hugo and John W. Campbell Award winning Science Fiction author  (Hammered, Blood and Iron) @matociquala

Greg Bear, Nebula, Locus and Hugo Award winning Science Fiction author (Darwin’s Radio, Queen of Angels) @greg_bear

Chris Beckett, Arthur C. Clarke Award winning Science fiction author (Dark Eden, The Holy Machine) @chriszbeckett

Lauren Beukes, South African SF author, comics writer and journalist (Broken Monsters, The Shining Girls) @laurenbeukes

Aliette de Bodard, Software engineer, Nebula and Locus Award winning Science Fiction and Fantasy author (House of Shattered Wings, In Morningstar’s Shadow) @aliettedb

Ben Bova, Six time winner of the Hugo Award;  Science Fiction and non-fiction author and Editor (Grand Tour series, The Science Fiction Hall of Fame)  @BenBova

David Brin, Hugo, Nebula, Locus and Campbell Award winning Science Fiction author (Startide Rising, The Postman)  @davidbrin

Tobias S. Buckell, Science Fiction author (Sly Mongoose, Halo: The Cole Protocol) @tobiasbuckell

Emma Bull, Science Fiction and Fantasy author (Falcon, Bone Dance) @coffeeem

Monica Byrne, Upcoming Science Fiction author and playwright (The Girl in the Road) @monicabyrne13

Pat Cadigan, Arthur C. Clarke Award winning Science Fiction author (Synners, Fools)  @Cadigan

Christian Cantrell, Software developer and Science Fiction author (Containment, Equinox) @cantrell

Orson Scott Card, Hugo and Nebula Award wining Science Fiction author (Ender’s Game, Speaker for the Dead) @orsonscottcard

Jeff Carlson, Science Fiction and thriller author (Plague Year, Plague War)  @authorjcarlson

Adam-Troy Castro, Science Fiction, Fantasy and YA author (Tangled Strings, Emissaries from the Dead) @adamtroycastro

Becky Chambers Science Fiction author (The Long Way to a Small, Angry Planet, A Closed & Common Orbit) @beckysaysawr

C.J. Cherryh, Hugo and Locus Award winning Science Fiction and Fantasy author (Cyteen, The Pride of Chanur) account no longer exists

Wesley Chu, John W. Campbell Award winning Science Fiction author (Time Salvager, Time Siege) @wes_chu

Liu Cixin , Chinese Science Fiction author, winner of the Hugo Award and the Galaxy Award (The Three Body Problem, The Dark Forest) @liu_cixin

Ernest Cline, Best-selling author and screenwriter (Ready Player One, Armada) @erniecline

Peter Clines, Science Fiction and horror author (The Fold, 14) @PeterClines

August Cole, Senior Fellow at the Brent Scowcroft Center, director of The Art of the Future  (Ghost Fleet: A Novel of the Next World War, War Stories from the Future (ed.)) @august_cole

Eoin Colfer, Young adult Science Fiction and Fantasy author (Artemis Fowl, The Supernatualist)   @eoincolfer

Brenda Cooper, Science Fiction author (The Silver Ship and the Sea, Wings of Creation)   @brendacooper

James S.A. Corey, New York Times best-selling pseudonym (The Expanse, Nemesis Games) @JamesSACorey

Paul Cornell, Award-winning author and screenwriter for Doctor Who (The Severed Streets, Who Killed Sherlock Holmes) @Paul_Cornell

Bruce Coville, author of Young Adult fiction (My Teacher Is An Alien, Aliens Ate My Homework) @brucecoville

Katherine Cramer, Science Fiction author and editor (The Hard SF Renaissance, The Year’s Best SF Series) @KathrynECramer

Justin Cronin, New York Times best-selling author, winner of the PEN/Hemingway Award (The Passage, The Twelve) @jccronin

Julie Czernada, Science Fiction and Fantasy author and editor (This Gulf of Time and Stars, No Place Like Home) @julieczernada

Jack Dann Award-winning Science Fiction and Historical fiction author (The Memory Cathedral, The Silent) @jackmdann

Ellen Datlow, Hugo Award winning Science Fiction and Horror editor (The Best Horror of the Year, Year’s Best Fantasy and Horror)  @EllenDatlow

Cory Doctorow, John W. Campbell and Locus Award winning Science Fiction author (Little Brother, Makers)   @doctorow

Diane Duane, Young adult and Science Fiction and Fantasy author (So You Want to Be a Wizard, Wizard’s Dilemma, plus many Star Trek novels) @dduane

Tananarive Due, Science Fiction, fantasy and mystery author, screenwriter and producer (Ghost Summer, The Lake ) @TananariveDue

Scott Edelman, Science Fiction, Fantasy and Horror author and editor (What Will Come After, What We Still Talk About)  @scottedelman

Amal El-Mohtar Hugo, Nebula, Locus award winning author (The Djinn Falls in Love and Other Stories) @tithenai

Kate Elliott, Fantasy and Science Fiction author (The Crown of Stars, Cold Steel) @KateElliottSFF

Eric Flint, Science Fiction author and editor. Writer of alternate histories. (1632, 1636: The Saxon Uprising)  @EricFlint

Gregory Frost, Fantasy and Science Fiction (Lyrec, Shadowbridge)  @gregory_frost

Neil Gaiman, Locus, Hugo and Nebula Award winning Science Fiction Author (American Gods, Coraline). Also Graphic Novels (The Sandman)  @neilhimself

Charles E. Gannon, Professor and Best-selling and Nebula nominated author (Fire with Fire, Raising Caine) @cegannon1

David Gerrold, Hugo and Nebula Award winning Science Fiction author and screenwriter (The Man Who Folded Himself, The Martian Child) @DavidGerrold

William Gibson, Hugo, Nebula and Philip K. Dick Award winning Science Fiction and Cyberpunk author (Neuromancer, Mona Lisa Overdrive)  @GreatDismal

Max Gladstone, Science Fiction/Fantasy author (Full Fathom Five, Last First Snow) @maxgladstone

Kathleen Goonan, John W. Campbell Award winning Science Fiction author (In War Times, This Shared Dream) @KathleenGoonan

Steven Gould, New York Times best-selling Science Fiction author and short story writer (Jumper, Reflex) @StevenGould

Daryl Gregory, Science Fiction and Fantasy author (Afterparty, Harrison Squared) @darylwriterguy

Nicola Griffith, Nebula and James Tiptree Award winning Science Fiction and Fantasy author and editor (Ammonite, With Her Body)  @nicolaz

Lev Grossman, John W. Campbell Award winning Fantasy and Young Adult author (The Magicians, The Magician King)  @leverus

Eileen Gunn, Nebula Award winning Science Fiction author and editor (Stable Strategies and Others, The Wiscon Chronicles) @eileen_gunn

Elizabeth Hand, Nebula and World Fantasy Award winning Science Fiction and Fantasy author (Walking the Moon, Winterlong) @Liz_Hand

William Hertling, Science Fiction author (Avogadro Corp., A.I. Apocalypse) @hertling

Nancy Holder, Bram Stoker Award wining Science Fiction and Horror Author (Pretty Little Devils, Wicked: Revelation), as well as works in the Buffyverse  @nancyholder

Nalo Hopkinson, Aurora and Locus Award winning Fantasy and Science Fiction author (The New Moon’s Arms, So Long Been Dreaming)  @nalohopkinson

Jason M. Hough, Best-selling author (The Darwin Elevator, Zero World) @JasonMHough

Hugh Howey, Best-selling Science Fiction author (Wool, Sand) @hughhowey

Meg Howrey, author of nonfiction and science fiction (The Wanderers, Blind Sight) @MegHowrey

N.K. Jemison, Locus Award winning author, Hugo nominee and short story writer  (The Hundred Thousand Kingdoms, The Killing Moon) @nkjemisin

Guy Gavriel Kay, Canadian author, poet, and producer (River of Stars, Children of Earth and Sky) @guygavrielkay

Kay Kenyon, Science Fiction and Fantasy author (Maximum Ice, The Braided World)  @KayKenyon

T. Jackson King, Science Fiction Author and reporter (Stellar Assassin, Escape from Aliens) @TJacksonKing

Dani Kollin, Prometheus Award winning Science Fiction author, with brother Eytan Kollin (The Unincorporated Man, The Unincorporated Woman) @dkollin

Ted Kosmatka, Science Fiction writer (The Flicker Men, The Games) @TKosmatka

Mary Robinette Kowal, John W. Campbell Award winning Author and puppeteer (Shades of Milk and Honey, Forest of Memory) @MaryRobinette

Nancy Kress, Hugo and Nebula Award winning Science Fiction author (Beggars in Spain, Probability Space) @nancykress

Mur Lafferty, Campbell Award and Parsec winning author and podcaster  (Six Wakes, Playing for Keeps) @mightymur

Margo Lanagan, World Fantasy Award winning author (Yellowcake, Tender Morsels ) @margolanagan

Ann Leckie, Hugo and Nebula Award winning author (Ancillary Justice, Ancillary Mercy) @ann_leckie

Ursula K. Le Guin,  Booker Prize, Hugo, Nebula, Locus Award winning science fiction and fantasy author (The Left Hand of Darkness, Lavinia) @ursulaleguin

Paul Levinson, Locus Award winning Science Fiction author (Silk Code, The Plot to Save Socrates) @PaulLev

Jacqueline Lichtenberg, Science Fiction author (Hero, To Kiss or To Kill) @JLichtenberg

Charles de Lint, Fantasy and Horror author (The Onion Girl, Widdershins)  @cdelint

Ken Liu, Hugo, Nebula and World Fantasy award winning author and translator (Grace of Kings, The Paper Menagerie and Other Stories) @kyliu99

Ian McDonald, British Science Fiction author , winner of the Hugo, Locus, Philip K. Dick and John W. Campbell awards (Luna: New Moon, The Dervish House) @ianmcdonald

Seanan McGuire, John W. Campbell Award winning science fiction author, who also writes under the name Mira Grant (Feed, Symbiont)  @seananmcguire

Maureen McHugh, Hugo, Locus and James Tiptree Jr. Award winning Science Fiction and Fantasy author (China Mountain Zhang, Half the Day is Night) @maureenmcq

Will McIntosh, Hugo Award winning Science Fiction and YA author (Burning Midnight, Soft Apocalypse) @WillMcIntoshSF

Vonda N. McIntyre, Hugo and Nebula Award winning Science Fiction author (Dreamsnake, The Moon and the Sun), also many novels in the Star Trek Universe @vondanmcintyre

Ken MacLeod, Scottish Science Fiction author (The Stone Canal, The Sky Road)  @amendlocke

George R. R. Martin, Best-selling Hugo and Nebula Award winning Fantasy, Science Fiction and Horror author (Game of Thrones, A Dance with Dragons) @GeorgeRRMartin

Elizabeth Moon, Nebula and Robert A. Heinlein Award winning Science Fiction and Fantasy author (The Speed of Dark, Kings of the North) @emoontx

Richard K. Morgan, Science Fiction and Fantasy novelist (Altered Carbon, Thirteen) @quellist1

James Morrow, Award winning Science Fiction author (Towing Jehovah, Galapagos Regained( @jimmorrow11

Ramez Naam, Tehnologist, public speaker and author  of nonfiction as well as Philip K. Dick and Prometheus Award winning Science Fiction (Nexus, Apex, Crux) @ramez

Linda Nagata, Nebula and Locus Award winning Science Fiction author  (Vast, Memory)  @LindaNagata

Annalee Newitz, founder of io9, tech editor at Ars Technica, non-fiction author (Scatter, Autonomous) @Annaleen

Emma Newman, Author of urban fantasy and science fiction (Planetfall, After Atlas) @EmApocalyptic

Garth Nix, Australian fantasy and YA novelist (Shade’s Children, To Hold the Bridge) @garthnix

Naomi Novik, Hugo and John W. Campbell Award winning author of alternate history (Crucible of Gold, Tongues of Serpents) @naominovik

Nnedi Okorafor, Professor of creative writing and Hugo Award winning author (The Book of Phoenix, Lagoon) @Nnedi

Daniel José Older, Author of urban fantasy and young adult novels (Shadowshaper, Bone Street Rumba) @djolder

Malka Older, Science Fiction and thriller author (Infomocracy, Null States) @m_older

Peter Orullian, writer of epic fantasy (Trial of Intentions, The Unremembered) @PeterOrullian

Ada Palmer, Historian, author of science fiction & fantasy (Too Like the Lightning, Seven Surrenders) @Ada_Palmer

Eliot Peper, editor, writer of science fiction thrillers (Cumulus, Neon Fever Dream) @eliotpeper

Gareth L. Powell, Winner of the BSFA Award for best novel (Ack-Ack Macaque, The Recollection) @garethlpowell

Sir Terry Pratchett may be the greatest writer of fantasy and comedy, winner of the World Fantasy Award for Life Achievement, now deceased (The Colour of Magic, The Light Fantastic) @terryandrob

Tim Pratt, Hugo Award winning Science Fiction and Fantasy author (Spell Games, Dead Reign)   @timpratt

Cherie Priest, Locus Award winning Science Fiction and Horror author (Boneshaker, Fatham)   @cmpriest

Hannu Rajaniemi, Locus and John W. Campbell Award winning Science Fiction author and mathematician (The Fractal Prince, The Causal Angel) @hannu

Cat Rambo, Fantasy and Science Fiction author and editor (Eyes Like Sky and Coal and Moonlight)  @catrambo

Marguerite Reed, Philip K. Dick Special Citation award winning author  (Archangel) @MargueriteReed9

Mike Resnick, Multiple Hugo and Locus Award winning Science Fiction author (Starship: Mutiny, Santiago)  @ResnickMike

Alastair Reynolds, Former ESA scientist, Science Fiction author (The Medusa Chronicles, Blue Remembered Earth) @AquilaRift

Rudy Rucker, Philip K. Dick Award winning Science Fiction author and mathematician (Software, Realware)  @rudytheelder

Kristine Kathryn Rusch, Hugo Award winning Science Fiction and Fantasy author and editor (Hitler’s Angel, Totally Spellbound) , as well as works in the Star Trek universe @KristineRusch

Geoff Ryman, Professor of writing, author of Science Fiction, fantasy and historic novels (Was, The Unconquered Country) @geoffryman

Brandon Sanderson, Science Fiction,  fantasy and  author (Calamity, Firefight) @BrandSanderson

Robert J. Sawyer, Hugo, Nebula and John W. Campbell  Award winning Science Fiction author (Rollback, Flashforward) @RobertJSawyer

John Scalzi, John W. Campbell and Hugo Award winning author (Fuzzy Nation, Old Man’s War)   @scalzi

Lawrence M. Schoen, Award-winning author (Barsk: The Elephant’s Graveyard, Buffalito Destiny) @klingonguy

Karl Schroeder, Aurora Award winning Science Fiction author (Permanence, The Sunless Countries)  @KarlSchroeder

Nisi Shawl, award-winning author of SFF and alternate history (EverFair, Something More and More) @NisiShawl

Scott Sigler, Parsec Award winning Science Fiction and Horror author (Infected, Contagious)  @scottsigler

Dean Wesley Smith, Science Fiction author (Laying the Music to Rest, The Hunted) @DeanWesleySmith

Michael Stackpole, Science Fiction and Fantasy author and Game Designer (I, Jedi, Evil Trimphant) @MikeStackpole

Bruce Sterling, Hugo and Campbell Award winning Science Fiction and Cyberpunk author (Distraction, The Caryatids) @bruces

Neal Stephenson, Hugo, Locus and Prometheus Award winning Science Fiction author (Quicksilver, The Diamond Age) @nealstephenson

Charles Stross, Locus and Hugo Award winning Science Fiction author (Halting State, Rule 34) @cstross

Daniel Suarez, New York Times best-selling author of high-tech, science fiction thrillers (Change Agent, Daemon) @itsDanielSuarez

Tom Sweterlitsch author of science fiction thrillers (The Gone World, Tomorrow and Tomorrow) @LetterSwitch

Rachel Swirsky, Nebula Award winning short story writer (How the World Became Quiet, A Memory of Wind)  @rachelswirsky

Lavie Tidhar, Seiun Award and World Fantasy Award winning author (Central Station, A Man Lies Dreaming) @lavietidhar

Ian Tregillis, Physicist and Science Fiction author (The Rising, The Mechanical) @ITregillis

Hayden Trenholm, Science Fiction and mystery writer ( Blood & Water, Strangers Among Us) @HaydenTrenholm

Harry Turtledove, Writer of alternate history, fantasy and science fiction (Guns of the South, How Few Remain ) @HNTurtledove

Catherynne Valente, James Tiptree, Andre Norton award winning SF and Fantasy author (Space Opera, Radiance) @catvalente

Jeff VanderMeer, Fantasy and Science Fiction author (Finch, Annihilation) @jeffvandermeer

Andy Weir, Best-selling Science Fiction author (The Martian, Artemis) @andyweirauthor

Scott Westerfeld, Young adult and Science Fiction author (Leviathon, Uglies)  @ScottWesterfeld

Fran Wilde, Andre Norton Award winning Science fiction and fantasy author (Updraft, Cloudbound) @fran_wilde

Daniel H. Wilson, Roboticist and New York Times best-selling author (Robopocalypse, Robogenesis) @danielwilsonpdx

G. Willow Wilson, World Fantasy Award winning and Graphic Novel author (Alif the Unseen, The Butterfly Mosque) @GWillowWilson

Gary K.Wolfe, Science Fiction editor and critic @garykwolfe

Alyssa Wong, Nebula Award winning author of science fiction and horror (A Fist of Permutations and Wildflowers ) @crashwong

Charles Yu, Science Fiction novelist and short story writer (How to Live Safely in a Science Fictional Universe, Third Class Superhero) @charles_yu

Liz Ziemska, Literary agent and SFF author (Mandelbrot the Magnificent) @Ziemska

Leni Zumas, Science fiction author and professor (Red Clocks, The Listeners) @lenizumas

Other Science Fiction sites:

SFX Magazine, Sci Fi and Fantasy Magazine  @SFXmagazine

StarShipSofa Podcast of Science Fiction stories @StarShipSofa

Locus Magazine, Science Fiction and Fantasy News @LocusChat

SF Signal, a Science Fiction blog @sfsignal

The Hugo Awards, News on the Hugos @TheHugoAwards

io9, Commentary and updates on Science, Science Fiction and Media @io9

SFWA Authors, Blog posts from members of the Science Fiction and Fantasy Writers of America   @SFWAauthors

Clarkesworld, Online Science Fiction Magazine @clarkesworld

Tor Books, Science Fiction and Fantasy News @torbooks

Baen Books, Science Fiction and Fantasy Publishing @BaenBooks

Ace Science Fiction, Science Fiction and Fantasy Publishing @AceRocBooks

Museum of Science Fiction, to open in Washington DC @Museum_SciFi

Hollywood Science Fiction Museum, to open in Hollywood, @hollywoodscifi

Novum Future, Science fiction news and podcast, @NovumPodcast

Fantasy Faction, Fantasy Book Reviews @FantasyFaction

B&N SF & F, Barnes & Noble Science Fiction & Fantasy @BNSciFi

SF Encyclopedia, Updates from the Encyclopedia of Science Fiction @SFEncyclopedia

SF Editor’s Picks, editor’s Science Fiction recommendations @SFEditorsPicks